Zitat:Original erstellt von: sternenkrieger
Und der spielt Marshall?! Ehrlich? Dachte da steht Mesa hinten auf der Bühne rum ...
Also im Moment hat er garnichts mehr auf der Bühne stehen. Ziemlich puristisch. Die spielen komplett InEar. Ob die Marshalls unter dem Bühnenboden sind...[
].. ich weiss es nicht.
Wikipedia :
Wolstenholme has used many different basses since the start of Muse's career, starting out with Warwick and Bass Collection basses, alongside an electric double bass for use in the song Unintended. He favoured the Ampeg SVT amps, with 1x18, 2x10 and 2x6 cabs.
Part of Muse's distinctive sound is produced by Wolstenholme's use of distortion, he has been one of few modern bassists to pioneer distortion and fuzz in songs, especially live. Favouring the Electro Harmonix Big Muff distortion / sustainer, this was used alongside a BOSS Bass overdrive and other effects.
In the Origin of Symmetry era, Wolstenholme had many Pedulla basses. Only using the Pedulla Rapture SB4 basses with a single humbucking pickup, the JB4 bass with two jazz pickups shown in the Plug In Baby video was sold on eBay to a lucky fan. Wolstenholme also changed to use two Marshall amplifiers, he had two separate channels, one for clean bass and one for distorted bass. His effects rig also expanded to include some Line6 effects and more BOSS effects.
For Muse's biggest album to date, Absolution, Wolstenholme kept the Pedulla basses but also recorded using Warwick basses (his old ones) and others. He also added a Fender Jazz Bass into his lineup for Sing for Absolution and a Zon Sonus Studio 4. For live performances of Stockholm Syndrome Wolstenholme used a beat up Pedulla Rapture SB5 - so beaten up that a tuning peg has been lost and it's only used as a four-string bass now. No surprise that Wolstenholme threw it onto the stage from the audience, then into Dominic Howard's bass drum at the UK's biggest festival, Glastonbury.
He still kept his Marshall amps, and also included more rackmount effects in the form of Line6 Bass Pods and filter modelers, and more. His effects rig became so big that Rocktron All Access MIDI controllers are used both on and off stage to control everything. Also adding in an Akai Deep Impact synth pedal for the hit single Time Is Running Out and a Digitech Synth Wah alongside more effects.
For the latest album, Black Holes and Revelations, Wolstenholme has changed his rig nearly completely. Now favouring Rickenbacker 4003 basses and Fender Jazz Basses for new and old songs alike, he also uses a pick on a few new songs, including Assassin, Map of the Problematique, the beginning of Invincible, and the beginning and middle of Knights of Cydonia, according to Muse's August 26, 2006, performance at the Reading Festival. He also plays an upright bass in Soldier's Poem. The Electro Harmonix Big Muff is used more often in this album, nearly in every track, and his vocals are sometimes sung through a vocoder, most noticably in Supermassive Black Hole.
Basshole